Lady Macbeth of Mtsensk . Screen actors perform in a natural setting; via lip- synching, the singing is done by The Ambrosian Chorus. Shostakovich's Lady Macbeth : NPR. Katerina and Sergey (Angela Denoke and Misha Didyk) first meet during a raucous crowd scene in Act One, when Sergey challenges her to a wrestling match. The libretto is based on a story by Nikolai Leskov. At times, the opera's ill treatment of its main character, Katerina, is almost too much to bear. The story is set during the 1. There are still debates about which society the composer was targeting: czarist Russia of the 1. Soviet system that Shostakovich dealt with every day. But there is little debate about the ultimate power of his music, and the drama it conveys. Angela Denoke ....... Katerina. Misha Didyk ........... Sergey. Kurt Rydl .............. Boris. Marian Talaba ......... Zinovy. Michael Roider .. Shabby Peasant. Donna Ellen ........ Aksinya. Nadia Krasteva ..... Sonyetka. Janusz Monarcha ...... Priest. Eijiro Kai ........ Police Chief. Vienna State Opera Orchestra and Chorus. Ingo Metzmacher, conductor. ACT ONE opens in Katerina's bedroom. Her full name is Katerina Lvovna Izmaylova, and she's married to Zinovy Izmaylov, who comes from family of wealthy merchants. Buy Shostakovich: Lady Macbeth of Mtsensk by Aage Haugland, Philip Langridge, Maria Ewing, Sergej Larin, Orchestre de l'Op From the Metropolitan Opera's Lady Macbeth of Mtsensk. Photo: Ken Howard/Metropolitan Opera Does the Metropolitan Opera not know when it has a winner? Graham Vick’s 1994 production of Lady Macbeth of Mtsensk, one of the 20th. Lady Macbeth of Mtsensk has 1,793 ratings and 50 reviews. Celeste said: Estando quase certa que sobre a tem Lev Dodin directs this production of Dmitri Shostakovich's sympathetic portrait of Katherina, a woman who is driven to violence by society's restrictions. LADY MACBETH OF MTSENSK features performances from Vladimir Vaneev. Alone in her room, she reflects on her dull and unhappy life. In front of all their workmen, Boris humiliates Katerina . They're interrupted by Katerina. As the boss's wife, she makes them stop their assault and listen as she praises the strength of women. Sergey challenges her to prove her strength by wrestling with him. The two are grappling when Boris suddenly appears, and catches them in a suggestive position. Katerina tells Boris that she stumbled, and Sergey was helping her up. The unlikely story is backed up by a character called the Shabby Peasant . After she undresses for bed, Sergey quietly knocks at her door. Directed by Toni Bargall. With Mireille Capelle, Graham Clark, John Hurst, Anatoli Kocherga. A stage performance of the Shostakovich opera, filmed in Barcelona. This recording was a labor of love for Mstislav Rostropovich and Galina Vishnevskaya. It had long been their wish to make a complete recording of Dmitri Shostakovich's Lady Macbeth of Mtsensk, which they fulfilled. Before long, he seduces her and the music graphically evokes their lovemaking. As the act ends, Katerina weakly tells Sergey to leave . Boris is on the lookout for intruders. He remembers his youth . But when he approaches her door, he hears voices inside. Sergey is already there. Boris keeps Katerina's door locked, but Sergey has been coming and going through the window, and Katerina is saying goodbye. He gathers his workmen around, calls for a whip, and gives Sergey a brutal beating. With her door locked, Katerina climbs down a drainpipe and tries to intervene, but Boris stops the beating only after he's exhausted himself. He tells the workmen to lock Sergey in a storage room and orders Katerina to fix mushrooms for his dinner. But she also laces Boris's mushrooms with rat poison. Sensing that he might die, he calls for a priest. Katerina says Boris had just eaten some local mushrooms, which had killed several others lately, and the priest thinks nothing more of it. He wants more than just a secret affair with Katerina . She says they'll find a way, but as Sergey is sleeping, she sees the ghost of Boris, rebuking her from a corner of the room. Before long, Zinovy is heard on the stairs. When he knocks at the door, Katerina gives Sergey time to hide, and lets Zinovy in. Nye Pondus-boka til spesialpris kr. He says he's heard rumors that she's been cheating on him, and she responds sarcastically. The two argue, and when Zinovy starts beating her, Katerina calls to Sergey for help. Sergey grabs Zinovy and holds him down, while Katerina strangles him. Back outside, the two embrace, and as the act ends, Katerina says Sergey can now be her real husband. As ACT THREE begins, Sergey and Katerina are about to be married. They're standing outside the cellar, on their wedding day. Remembering what's down there, Katerina admits that she's afraid for their future. He eyes the locked cellar door, thinking there might be a stash of liquor behind it. He breaks the lock, and is almost overwhelmed by the stench. In a satirical song, they say there's no way to get by without taking bribes. Katerina, now a wealthy merchant's widow, has failed to invite him and his officers to her wedding celebration. So when the shabby peasant arrives to report a corpse in Katerina's cellar, the chief promptly rounds up his men and heads off to investigate. They don't really take the drunk's report seriously, but it does give them an excuse to crash the party. In a panic, certain that someone has discovered the body, she tells Sergey they should take all their money and leave town immediately. Before they can go, the police arrive. Tormented by guilt, and convinced that she's about to be arrested, Katerina gives herself up. Sergey tries to escape, but he's quickly captured, and they're both led away in handcuffs. It's dark and bitterly cold, and the column is settling down for the night on a riverbank. The men and women are being separated, but Katerina bribes a guard so she can go to Sergey. She greets him tenderly, but he ignores her. Then he coldly says that he's through with her . He flirts with her, and she seems receptive. But she also says that her wool stockings are torn. She's cold, and needs a new pair. He goes back to Katerina. Lying, he says that his leg irons are causing him so much pain that he can't continue . Unless, of course, he can find a pair of stockings to protect his legs. Still lovesick, Katerina gives him hers. He quickly makes excuses, and goes back to Sonyetka with the stockings. Sonyetka puts them on, and mocks Katerina, who then watches as Sergey carries Sonyetka off behind some bushes. Other women tease Katerina, and titter at what's going on out of sight. Sonyetka is standing alone on a bridge, above the rushing river. Katerina calmly walks up behind her, and pushes Sonyetka into the water. Katerina then jumps in herself, and both women are swept away in the current. The guards say there's no way to save them, as they prod the remaining convicts on down the road.
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